Showing posts with label Angela James. Show all posts
Showing posts with label Angela James. Show all posts

Friday, July 15, 2011

Thunder Moon

I had to catch the full Thunder Moon at dawn this morning, since last night, appropriately enough, thunderclouds obscured the moonrise.

Love those thunderclouds. Rain all you like!

Yesterday, Angela James, Executive Editor of Carina Press and savvy social media maven, tweeted this:

Angela James
Me to agent: "I'm going to pass on this author. She's had occasion to be very rude to me & others in the past." : Be professional

This is noteworthy because we've all suspected it's possible for this to happen. The publishing community is quite small, often insular, occasionally incestuous (and I mean that in the nicest possible way). Whether at conferences or online, we are in each other's laps much of the time. There are no secrets. When questioned, Angela followed up with:

Angela James
and

Angela James
and

Angela James
and

Angela James
This is pretty much what I would have predicted. Angela is at the helm of a digital-first imprint of a major publisher. She knows that online interactions play a huge role in this world. The days - if they ever really existed - of a writer getting to play the diva and curse anyone who crosses them are well and truly over.

It reminds me of the small town thing.

When I moved to Wyoming for grad school, I went from living in Denver and St. Louis, to a town of 26,000 people. Functionally the population is half that if you only count the year-round population. Now, I was an *ahem* aggressive driver. Not rage-driver, but definitely big-city driver. Other cars were never about people to me - they were simply "traffic." Nothing personal.

Imagine my surprise when people called me out for it.

"Hey, you cut me off this morning!"

"Geez, how fast were you going down Grand yesterday afternoon??"

"You tailgated me all the way to Safeway - what's up with that?"

Oops.

Once I got over the fact that these people actually looked in my car and recognized me, I discovered I was now accountable for my driving behavior in a way I'd never been before. No longer anonymous, I had become part of a small community, for better or worse. I had to change my behavior.

I suppose you could argue this impinged on my freedom to be obnoxious. Small towns can be oppressive because they do limit freedom of thought and action. The social mores can be restrictive. But, there's always the option to leave that community. If the reasons to stay are compelling enough, you'd better learn how to get along with your neighbors.

And if you want them to hire you or elect you to city council? Find a way to be congenial.

It can't be said often enough: watch what you say in public. Imagine that everything will be heard and remembered, and absolutely held against you in the court of public opinion. People will forgive you the odd slip, but a pattern of continued bad behavior? No no no. My writing buddies and I have the Cone of Silence. All snarkiness must occur inside the Cone.

Make sure it's really on, too.

What was most amazing to me about yesterday's exchange was an author replied to Angela saying:

Oh, shit, I said I was *sorry* I called you "picky."
and

I'm crying now. You're such a b*#$ch.

I didn't include her tweet info here, because I think she's an idiot for posting those and I'll save her this extra bit of self-induced humiliation. The tweets are still up, though, for anyone who cares to see... and to track that her data matches up to Angela's author-in-question.

Perhaps it all comes down to learning to take criticism. Live and learn.

When you do get called out for something, like I did? It's an opportunity for course-correction. Apologize and fix the problem. People will forgive. They'll eventually forget.

But not if you keep behaving badly.

Wednesday, March 23, 2011

All Jeffe, All the Time

This is Deliverance, by Manuel Nuñez. The same artist who did Strait is the Gate, which I mentioned previously.

Looking him up, I've discovered he does commissioned portraits, so now I've got this whole fantasy spinning about how I'll take money from my first wildly successful contemporary fantasy novel and have a portrait done.

Hey - a girl can dream.

At any rate, I'd had an image in mind of a painting of his I *thought* I'd seen, that looked like a woman laid out for a funeral, but I didn't find it in his gallery. (On the other hand, I see the piece I own has gone up considerably in value, so I'm feeling all nifty about that.) And then I see Elizabeth Taylor passed, so an image of a lovely woman resting in peace seems all fraught today.

My point is: I'm giving up the Jennifer Paris alter ego.

I know, I know. She was with us such a little time. We hardly knew her.

It was just over a year ago that I announced I'd use Jennifer Paris for my Loose Id erotic novella, Petals and Thorns. March 4 of 2010, actually, and now I'm feeling all astonished that it's been that long. I was all set to type something like "six months ago." Tempus fugit and all that.

At any rate, in conversations with the lovely Angela James over my contract for Carina Press, she pointed out that if I intend to use Jennifer Paris as an author name, then I should have her as a social media identity.

Angela is quite savvy about social media, I think. Her blog posts and challenges are frequently cited. She's all over twitter. And she's really a terrific person to work with. She has emailed with me, answering my questions with genuine friendliness. In an aside, the contracts/legal guy at Harlequin headquarters is also really warm and friendly. I'm already so impressed with this corporate climate. All of this makes me think they know something about creating a virtual community.

So, I've bantered back and forth with Angela on Twitter long before this. And with my fabulous new editor, Deb Nemeth. They know me there by my twitter handle, @jeffekennedy. In fact, I was pretty sure the Carina gig would be a go, because I saw Deb started following me on twitter a couple of weeks before I got the actual phone call. Some of that was to see if I'm psycho, I think. Fortunately I managed to fake that well enough not to set off any alarm bells. I would be very carefully composing tweets for a while, thinking through the potential impacts, then I'd forget myself and go off on riffs with someone and - oops.

It's a good argument for just being yourself on social media - cuz you'll forget and do it anyway.

I told Angela I was doing the "Jeffe Kennedy writing as Jennifer Paris" thing and she said no, no, no. Actually she said it's not the same thing at all. Since I really don't want to "flesh out" Jennifer Paris and tweet or blog as her (she was only a cardboard cut-out anyway), I decided to retire her.

Besides, there's also now a transvestite porn star with that name. I don't have to tell you that link is absolutely NSFW (not safe for work), do I? Yeah, click at your own risk.

So, there you have it. Jennifer Paris is officially a one-off. Goodbye, darling - it was fun while it lasted.

Now I'm All Jeffe, All the Time.

Let's get this party started.
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